Artworks/Exhibitions
The ASMR Touch, 2022-3, looped single channel video and de-synchronised audio track, video 31:36; audio: 21:22.
Full video: https://youtu.be/kabAxWFNrLk
Full audio: https://on.soundcloud.com/FHa2t
The ASMR Touch was exhibited in Writing Backwards at SCA Gallery, Sydney, 9 August - 9 September, 2023. Curated by Emma O’Neil and Alex Gawronski featuring artists and writers from Runway, Hag Mag, Stolon Press, and Pebble Press.
Publications
Reid, Melinda, “The Smoke Monster from Lost has her way with me,” Hag Mag, issue 666: Satan’s Hags (2024): Unpaginated. Text only PDF available here.
Reid, Melinda, “The ASMR Touch.” Runway, issue 46: Ghost (2023) https://runway.org.au/melinda-reid/
Reid, Melinda, “Guilty Pleasures Revisited.” Journal of Aesthetics and Art Criticism (Februrary 2022) https://doi.org/10.1093/jaac/kpac002
Reid, Melinda. “The reluctant bin chickens of neoliberalised education.” Un Magazine 13, no.2 (November 2019): 8-15. http://unprojects.org.au/magazine/issues/issue-13-2/melinda-reid/.
Reid, Melinda. ‘Review: The Essayist curated by Jasmin Stephens.’ Running Dog. 10 September 2019. http://rundog.art/the-essayist-jasmin-stephens/.
Reid, Melinda. “Lingering (or, Brief interruptions to an ongoing cycle).” Framework 24 (2018): 14-17.
Reid, Melinda. “Lessons from Margaret Montoya’s Table.” School Book 1 (2017): 22-24.
Reid, Melinda. “Highway meltdown.” In Here&Now17: New Photography. Perth: Lawrence Wilson Art Gallery at UWA, 2017. 79-81.
Hughes, Natalya, and Melinda Reid, eds. Fictions. Sydney: Alaska and University of Technology, Sydney, 2016.
Hughes, Natalya, and Melinda Reid, eds. UTS PSM Honours. Sydney: Alaska and University of Technology, Sydney, 2016.
Reid, Melinda. “Doodling and tarot cards: An interview with Laura Wingrove.” Parallel 8 (October 2016): N. pag.
Reid, M. ‘Soft ions.‘ Soft Ions - Finn Marchant. Woolloomooloo: Firstdraft, 2016. Exhib. cat. N. pag.
Reid, M. ‘Ferns.’ Mülk. Issue 1: Birth. May, 2016. N. pag.
Reid, M. ‘A vocabulary for long distance.‘ Parallel. Issue 5, Winter 2015.
Reid, M. ‘Patterns for Waiting.‘ Patternation. Hazelhurst: Hazelhurst Regional Gallery, 2015. Online exhibition catalogue. N. pag.
Reid, M. ‘Going and looking.‘ PSM Honours. Ultimo: University of Technology, Sydney, 2015. Exhib. cat.
Reid, M. ‘A short introduction to feminist performance art.‘ Parallel. Issue 3, Summer 2015.
Reid, M. ‘Artist Profile: Técha Noble.’ Künsterlerhaus Bethanien. Upcoming.
Reid, M. ‘Girls girls girls.‘ Girls girls girls. Woolloomooloo: Firstdraft, 2015. Exhib. cat. N. pag.
Reid, M. ‘Oblivion, rainforests, and happiness.‘ Grant Stevens: Dark Mess. Brisbane: Boxcopy, 2015. Exhib. cat. N. pag.
Reid, M. ‘More than top tens and a lack of pubes.’ Parallel. Issue 2, Spring 2015. 74-79.
Reid, M. ‘Come Close,’ Parallel. Issue 2, Spring 2015. 168.
Reid, M. ‘Immaterial labour.’ Nicholas Shearer, Honours. Ultimo: University of Technology, Sydney, 2014. Exhib. cat. 10-15.
The ASMR Touch, 2022-3, looped single channel video and de-synchronised audio track, video 31:36; audio: 21:22.
Full video: https://youtu.be/kabAxWFNrLk
Full audio: https://on.soundcloud.com/FHa2t
The ASMR Touch was exhibited in Writing Backwards at SCA Gallery, Sydney, 9 August - 9 September, 2023. Curated by Emma O’Neil and Alex Gawronski featuring artists and writers from Runway, Hag Mag, Stolon Press, and Pebble Press.
Publications
Reid, Melinda, “The Smoke Monster from Lost has her way with me,” Hag Mag, issue 666: Satan’s Hags (2024): Unpaginated. Text only PDF available here.
Reid, Melinda, “The ASMR Touch.” Runway, issue 46: Ghost (2023) https://runway.org.au/melinda-reid/
Reid, Melinda, “Guilty Pleasures Revisited.” Journal of Aesthetics and Art Criticism (Februrary 2022) https://doi.org/10.1093/jaac/kpac002
Reid, Melinda. “The reluctant bin chickens of neoliberalised education.” Un Magazine 13, no.2 (November 2019): 8-15. http://unprojects.org.au/magazine/issues/issue-13-2/melinda-reid/.
Reid, Melinda. ‘Review: The Essayist curated by Jasmin Stephens.’ Running Dog. 10 September 2019. http://rundog.art/the-essayist-jasmin-stephens/.
Reid, Melinda. “Lingering (or, Brief interruptions to an ongoing cycle).” Framework 24 (2018): 14-17.
Reid, Melinda. “Lessons from Margaret Montoya’s Table.” School Book 1 (2017): 22-24.
Reid, Melinda. “Highway meltdown.” In Here&Now17: New Photography. Perth: Lawrence Wilson Art Gallery at UWA, 2017. 79-81.
Hughes, Natalya, and Melinda Reid, eds. Fictions. Sydney: Alaska and University of Technology, Sydney, 2016.
Hughes, Natalya, and Melinda Reid, eds. UTS PSM Honours. Sydney: Alaska and University of Technology, Sydney, 2016.
Reid, Melinda. “Doodling and tarot cards: An interview with Laura Wingrove.” Parallel 8 (October 2016): N. pag.
Reid, M. ‘Soft ions.‘ Soft Ions - Finn Marchant. Woolloomooloo: Firstdraft, 2016. Exhib. cat. N. pag.
Reid, M. ‘Ferns.’ Mülk. Issue 1: Birth. May, 2016. N. pag.
Reid, M. ‘A vocabulary for long distance.‘ Parallel. Issue 5, Winter 2015.
Reid, M. ‘Patterns for Waiting.‘ Patternation. Hazelhurst: Hazelhurst Regional Gallery, 2015. Online exhibition catalogue. N. pag.
Reid, M. ‘Going and looking.‘ PSM Honours. Ultimo: University of Technology, Sydney, 2015. Exhib. cat.
Reid, M. ‘A short introduction to feminist performance art.‘ Parallel. Issue 3, Summer 2015.
Reid, M. ‘Artist Profile: Técha Noble.’ Künsterlerhaus Bethanien. Upcoming.
Reid, M. ‘Girls girls girls.‘ Girls girls girls. Woolloomooloo: Firstdraft, 2015. Exhib. cat. N. pag.
Reid, M. ‘Oblivion, rainforests, and happiness.‘ Grant Stevens: Dark Mess. Brisbane: Boxcopy, 2015. Exhib. cat. N. pag.
Reid, M. ‘More than top tens and a lack of pubes.’ Parallel. Issue 2, Spring 2015. 74-79.
Reid, M. ‘Come Close,’ Parallel. Issue 2, Spring 2015. 168.
Reid, M. ‘Immaterial labour.’ Nicholas Shearer, Honours. Ultimo: University of Technology, Sydney, 2014. Exhib. cat. 10-15.